An Interview with Nina and Daniel Libeskind at their residence in Berlin. To concur: they are enviably harmonious, full of fun and enthusiasm – a gorgeous couple. They say it themselves: it never gets boring with them!

Daniel Libeskind’s first design, the Jewish Museum Berlin, made him famous. His architecture is about remembrance, but it also looks to the future.  Here is a conversation with a creative visionary who isn’t afraid to divide opinion.

In an interview with KCRW’s DnA host, Frances Anderton, Daniel Libeskind discusses his book ‘Edge of Order’  before a large crowd at Modernism Week in Palm Springs.

Daniel Libeskind, the renowned architect, known for his work on the World Trade Center site and Berlin’s Jewish Museum, was inspired by an unconventional honeymoon.

In this podcast, architect Daniel Libeskind talks about listening to the Toccata and Fugue in D Minor by J. S. Bach, and how music, like architecture, creates a shared space — rooted in memory but looking ahead to eternity — that connects us all.

The administrative court in Amsterdam ruled against an petition for an injunction against the plan by several residents from the area

As the 75th anniversary of the liberation, Mr. Libeskind, the architect and artist, returned to the site, working with the photographer Caryl Englander and the curator Henri Lustiger Thaler of the Amud Aish Memorial Museum in Brooklyn, Mr. Libeskind designed and opened a new temporary exhibit — “Through the Lens of Faith” — near the entrance to the camp.

In the ornamental gardens of Paleis Het Loo, a baroque mansion in Holland, Daniel Libeskind is talking about his four new sculptures, which have been erected amid these tidy flowerbeds. Sculptures by Daniel Libeskind? Isn’t he an architect, not a sculptor? Well, as it happens, yes and no.

The acclaimed architect on his love of Bruegel, Berlin opera and an inspirational Polish salt mine.

The ‘Garden of Earthly Worries’ consists of four monumental abstract sculptures that create an imbalance within the organised layout of the baroque garden, designed in its time to represent man’s perfection of nature.

Ever since it made its first appearance almost 90 years ago, the Christmas tree at the Rockefeller Center in New York has been a symbol of hope.  In 2004, Swarovski upped the glamour by producing a crystal star to crown the tree, and this year it has gone one better, unveiling a new design by the architect Daniel Libeskind that is surely the world’s most spectacular tree-topper.

Architect Magazine looks at the “One Day In Life,” event curated by Libeskind and organized under the auspices of the Alte Oper, the musical company that occupies the renovated 19th-century opera house in the center of Frankfurt.

Daniel Libeskind and architecture for the common good. Creating new living spaces that generate an environment conducive for comfort, amid the complicated construction of the Master Plan WTC New York.  The architect spoke with Codigo on his perception of discipline, convergences between architecture and music, and the ephemeral nature of buildings.

The One Day in Life initiative commissioned by the Alte Oper in Frankfurt, a musical labyrinth comprised of individual concert events in various locations across the city.

DECO Home speaks to Daniel Libeskind about his collaboration with the Frankfurt Opera, One Day in Life, as well as his new design projects at Salone 2016.

Smithsonian Magazine showcases a modern artists’ portfolio saluting America’s most famous flag.

To renowned architect Daniel Libeskind, a Polish immigrant, the U.S. flag means “freedom of the individual, of religion, of democracy.” Steel and aluminum convey the symbol’s indestructibility.

Wallpaper Magazine feature on Daniel Libeskind’s “Counting the Rice” desk for Marina Abramovic and Moroso