LIBESKIND022 is the new collection of sideboards that pursues and captures the poetry and stregth of light in architecture, giving rise to three-dimensional surfaces, where light and shadow play on ephemeral shapes, responding to changing conditions and to the textured appeal of each piece.  Daniel Libeskind drew his inspiration from the historical uses of cabinet-making to protect precious objects. The design is minimal and concurrently complex: it changes constantly depending on how the light strikes it, creating a dynamic surface that integrates contemporary life.

Intended for both commercial and residential use, the Gemma collection—first launched in Spring, 2015, in Milan—has been expanded to include a chair, sofa and sofa system for public spaces such as airports and lobbies. “Gemma is an exercise in architecture on a small scale,” says Daniel Libeskind. Asymmetrical hard edges are offset by Blur, a luxurious soft ombre knitted fabric that morphs from dark to light. The multi-faceted profile is reminiscent of a precious gemstone, and of the geometries typical of fifteenth century Italian tapestries. Gemma represents the synergy between the complex geometries for which Libeskind is known, and the…

Glide Bench Seating by Daniel Libeskind for Matteograssi Designed as part of Matteograssi’s Beam Seating range, the Glide bench is a sophisticated, fully integrated seating solution tailored to the evolving needs of modern airports and travelers. Crafted for today’s passenger, the Glide bench blends elegance, comfort, and flexibility, meeting the high expectations of contemporary travel. Its sleek, timeless profile showcases Matteograssi’s renowned craftsmanship, featuring exquisite coach hide and soft leather finishes. Thoughtfully designed with integrated technology, including electrical sockets and USB recharge points, it ensures seamless connectivity for travelers on the move.

Part of a collaboration between David Gill, this collection of works is firmly anchored in Daniel Libeskind’s drawings, a creative process that he continually turns to. The resulting furniture draws from multiple disciplines found in his drawings: from rigid, calculated and mathematical relations to lines paired with sinuous, fluid forms that are transformed by figures whose scale and function are elemental. The designs are created from bronze, white marble, glass and metal in unexpected and surprising ways. An exhibition of the furniture pieces was shown at David Gill Gallery in London during September 2018.  For inquiries, visit David Gill Gallery….

Some see an archipelago in its lines, or a naturally disordered landscape, or a perfect city skyline, or even a collage of geometries or a folded sheet of paper, like open origami. Edge, the new desk designed by Daniel Libeskind was presented at the Salone del Mobile in 2019. It has a unique style and incisive design, composed of several juxtaposed irregular and asymmetrical volumes, that can be used on different sides. A thin yet solid metal skeleton, visible only from above connects its elements, made with eucalyptus wood and black glass surfaces. Everything in Edge is designed to leave the geometry…

Swarovski has partnered with renowned architect Daniel Libeskind to create a new Swarovski Star for the Rockefeller Center® Christmas Tree in New York City. The Star debuted in November 2018, alongside a Libeskind-designed retail pop-up featuring Swarovski crystal ornaments for the holiday season. The star and retail pop-up will be showcased during the holiday season in the coming years. Swarovski Star by Daniel Libeskind The new Swarovski Star is the first redesign of the famed crystal tree-topper since the inaugural Swarovski Star was unveiled in 2004, when the company first partnered with Rockefeller Center co-owner Tishman Speyer to present the…

The design is inspired by the Neoclassical marble sculptures of the late 18th century. The design brings together a sense of movement and transparency while addressing practical design solutions for everyday objects.  The collection of ceramic basins are imagined as sculptures for the home.   ‘Design has become so important to people’s lives on a global scale. You can find good design in very small inexpensive things too, of course, the super luxury. Mies van der Rohe famously once said ‘God is in the details’ and I believe this is really true. I am always mindful when designing products, just as…

The Spirit House Chair was unveiled ahead of the 2007 opening of the Michael Lee-Chin Crystal at the Royal Ontario Museum (ROM). Daniel  Libeskind and Toronto furniture designer Klaus Nienkämper collaborated to design the limited edition, custom built piece of furniture inspired by the peaks and facades of Libeskind’s Crystal. The contemporary, multi-faceted Spirit House Chair was one Libeskind’s first forays into the world of furniture. The chair is constructed entirely of 14 gauge stainless steel with a brushed finish, weighing in at 180 lbs. It is designed to be oriented in five different positions and can be used as…

Daniel Libeskind’s eL Chandelier is roughly nine feet tall and two-and-a-half feet wide. It weighs 350 pounds. A luminous, sharp-edged, cascading shape, the chandelier has a highly-polished stainless steel exterior and a stainless-and-23-carat-gold-plated-leaf interior. Created in collaboration with SAWAYA & MORONI S.p.A. and Austrian lighting company Zumtobel, the limited-edition eL Chandelier is distinguished by both its striking design and the sophisticated technology that underlies it. The light emitted by eL mimics and reproduces the cosmic light that fills the Universe. To achieve this, Dr. Noam I Libeskind, Daniel Libeskind’s son and an astrophysicist at the Leibniz Institute for Astrophysics in Potsdam, used eL’s LEDs…